I worked on a CD cover for Born Anchors. It never really made it to completion, so this is it's last manifestation. The colors, concept, and type are not mine. This is kind of a sad job for me. I like the guys in the band, and the music, and I wish that the concept they wanted had worked out, but it didn't. I was not creatively active on this assignment, my role was more of "the hand." I just drew whatever the guy I was working with wanted and didn't really participate in the concept or anything. The comics style portraits I did on my own at one time in the process, they might become buttons. I like them a lot, even though they're certainly a departure for me. I've been playing around with a lot of different styles lately, and the projects that I've been conceptualizing have been all over the map. This was when I was thinking a lot about developing a comic book style. I'll be the first to admit a strong influence from Jamie Hewlett (Tank Girl, Gorillaz). Fun though. But yeah, the cover, not so much. I'm not sure where it went wrong, but it surely did.
This is a record cover for a Mexican hardcore band called Maladie It's got an Egyptian Death theme. Mummy, blue lotus, stars of the underworld. Good times. I got to do whatever I wanted on this one, and that's the way I like it. They did some of their own changes after passing it off, but I'm showing it the way I intended it to look. This is probably going to be my last record cover, at least for a while. I've finally finished all the covers I had committed to doing, and I don't want to do them anymore. They are labor intensive, and I don't get paid hardly anything to do them. If I got a decent offer to do one for a large label or something, that's a different story, but for what I'm making now it's just not worth the time and stress. I'm supposed to work on some drawings to go in the layout of a record cover, but that's a bit of a different beast.
I'm not sure where my next move will be. I have some editorial illustrations coming up, but if you haven't noticed, illustrations in magazines are waaayyy down. I don't think it's realistic to try to squeeze a living out of those alone. Possibly comics, or concept art. Maybe I'll hunker down in a master's program until the economic shit storm blows over. We'll see.
The art director from Nylon Guys gave me a second chance to do a nice portrait, something that was so challenging to me with the Wonkavision assignment. This time I had a week instead of a day, and the assignment was Richard Branson! A gift from the illustration gods! Portraits can be tough, but the face makes a huge difference. Richard Branson has a truly great face. It's very easy to do a likeness of him. I did many many drawings and studies of his face. At my first attempts were poor and uninspired so I chose not to show them here. The first painting was the really polished and colorful one at the bottom. I was really proud of it, and excited because for the first time I had done a painting that was un-creepy. I personal mile-stone. The AD was not stoked on it though, and said it was too slick. He recommended that I not try so hard, and make something darker. I guess it's better to try too hard than not hard enough. At first I was taken aback, but I quickly realized that it was not suitable for that magazine, and it was not like the work in my portfolio, so probably an unwelcome surprise for the art director. He recommended that I do something less literal, so I have the blue and green shapes based on his directions. I think they came out nice, and it was a good assignment. The blue version is printed on the last page of the magazine, on news-stands now.